Architecture begins with a question.
Not “what can I build?”, but “what does this place need to become?”
For me, architecture has never been just about structures.
It is about resonance — the subtle dialogue between space and soul, light and line, memory and material.
Whether I restore a forgotten stone house in the Ligurian hills or redesign a home in the Bavarian Alps, I always ask myself:
How can this place breathe again?
Light is our oldest architect.
It shapes how we feel in a room, how time moves across a wall, how silence becomes presence.
I design with light — not just with plans. I observe the way it travels through a day, how it bounces, dissolves, reveals.
Architecture, when done with care, is never an ego project.
It listens before it speaks.
It respects what was — and opens the door to what could be.
“Architecture is the masterly, correct, and magnificent play of masses brought together in light. Our eyes are made to see forms in light: light and shade reveal these forms.”
Le Corbusier
I was trained in Germany, but my heart lives between mountains and sea.
In Italy, I pursue a quiet kind of architecture.
Restorations. Conversions. Adaptive reuse.
I work with what is there — not against it.
Every structure holds a story. And sometimes, a ruin just needs a new chapter.
Crevia is the space where these stories come together.
It is my studio and my notebook.
A place where function meets poetry, and design meets meaning.
A house in the hills.
A window that frames the sea.
A cathedral scaffolded against time.
Each project is a reminder:
Architecture is not just what we see. It’s how we live in the unseen.
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